Christina Wright-Ivanova, hailed by critics as “a brilliant pianist" (Wiener Zeitung, Vienna) and “an ideal partner" (Huffington Post), is currently based in Boston, and serves as Assistant Professor of Music, Coordinator of Piano & Collaborative Piano at Keene State College, NH.
Dr. Wright-Ivanova frequently performs solo recitals with a special focus on new music, in addition to an international performing career in chamber music. She is on faculty at New England Conservatory’s Summer Institute for Contemporary Performance Practice, and has premiered over fifty works by living composers. She has performed both solo and collaborative new works in such venues as Boston’s Museum of Fine Arts, Isabella Stewart Gardner Museum, Berklee School of Music, MIT, The Harvard Club, Opera America (NY), Jordan Hall, Tanglewood’s Ozawa Hall, Old North Meeting House, and in the Clutch New Music Series in Austin TX and the NEXTET series in Las Vegas.
She has enjoyed working with composers such as Jo Kondo, Augusta Read Thomas, Steve Reich, Julian Anderson, Joan Tower, Daniel Brewbaker, Tristan Murail, Robert Beaser, Jennifer Bellor, Daron Hagen, Paul Chihara and Virko Baley. She has worked with several ensembles in new music, including the Callithumpian Consort, MIVOS Quartet (NEON Festival), Juventas New Music Ensemble, and at the Academie für Neue Musik with the Arditti Quartet. She also recorded a series of demos for Jonny Greenwood’s (Radiohead) soundtrack for the movie ‘The Master’ (Western LLC, 2012).
Her love of art song has brought fruitful collaborations in recital with singers from the Metropolitan Opera, Deutsche Oper Berlin, Greek National Opera, Lyric Opera of Chicago, Lithuanian National Opera, Calgary Opera, Boston Lyric Opera and more. As a student, she attended the Schubert-Institut in Baden-bei-Wien on a full scholarship from the Johann Strauss Foundation, and is a Britten-Pears Scholar (UK) and a Crear Fellow (Scotland) under the mentorship of Malcolm Martineau. Dr. Wright-Ivanova has played in Master Classes by leading artists such as Elly Ameling, Barbara Bonney, Helmut Deutsch, Renee Fleming, Nicolas Hodges, Wolfgang Holzmair, Jorma Hynninen, Rudolf Jansen, Warren Jones, Ursula Oppens, Rita Sloan, Anthony Spiri, Edith Wiens, Pierre Vallet, Roger Vignoles and Brian Zeger. She has worked as opera pianist, coach and scenes director with Boston Opera Collaborative, Commonwealth Lyric Theater, Handel & Haydn Society and the Pacific Opera Victoria (Canada), and has been the official pianist for the Metropolitan Opera Auditions.
Recently, with duo au courant partner mezzo-soprano Stephanie Weiss, she has performed at the Berlin Art Song Festival. A debut duo recording entitled ‘Songs Sacred and Profane’ will be released in 2018 with new songs by composer Daron Hagen. The duo recently commissioned a large-scale art song project entitled “Passageway" which experiences the journey of immigrants into Europe through music and poetry by German composer Jonathan Stark.
As a chamber musician, she has been heard in over fifteen countries throughout North & South America, UK, Europe, Asia and Australia, appearing in recital with many established artists, including Tchaikovsky Competition Bronze medal cellist Bion Tsang, virtuoso violinist Yevgeny Kutik, Israel Philharmonic violinist Sharon Cohen, and Joachim International Violin competition winner Dami Kim.
She enjoys frequent performances with orchestral musicians, including members of the Boston Symphony Orchestra, Las Vegas Philharmonic, Civic Orchestra of Chicago, Kansas City Symphony, San Antonio Symphony, and Boulder Philharmonic. In the 2018 season, she collaborated with The Lydian Quartet (Brandeis University) and the TenHagen Quartet (Germany) in acclaimed performances, and will be working with Castle of our Skins at the Redfern Arts Center later this season. In Summer 2019, she joins the faculty of the newly-created Jülich Summer Chamber Music Festival in Germany under the direction of acclaimed violinist Kathrin ten Hagen, where she looks forward to a performance of Beethoven’s Triple Concerto.
She was previously on faculty as Assistant Professor of Music at the University of Nevada, Las Vegas, where she was the Opera Coach for UNLV’s Opera Theatre. She also worked at Dolora Zajick’s Institute for Young Dramatic Voices, Boston University School of Music and the BU Tanglewood Institute Opera Intensive (BUTI), American Institute for Musical Studies in Graz, Austria, and at the Franco-American Vocal Academy (FAVA) in Salzburg. Recent international concert performances at the Teatro di Musica (Lake Como, Italy), Humboldt University (Berlin), École Normale Supérieure (Lyon, France), Joanneumsviertel Museum (Graz, Austria) and the Schloss Frohnburg (Salzburg). She is a frequent guest artist at the Amici della Musica Paisello Concert Series, directed by cellist Francesco Mastromatteo (Lucera, Italy).
Dr. Wright-Ivanova has a deep commitment to teaching. As a Guest Pianist-in-Residence in 2008 with Venezuela’s classical music program, El Sistema, she taught classes, worked with emerging young artists and was interviewed on TV, newspaper, and radio broadcasts throughout the country about the importance of teaching music to youth. She has presented at several College Music Society Conferences (Potsdam, 2014; Boston, 2015; Sydney Australia, 2017) and will be giving a lecture recital in Vancouver in October 2018 on the music of Barbara Monk Feldman.
Dr. Wright-Ivanova frequently serves as an Adjudicator for piano and chamber music competitions in the US and abroad. She has most recently presented art song and chamber music master classes at institutions such as Arizona State University, New England Conservatory, the Nanjing University for the Arts (China), University of Kingsville Texas, and the Rodi Conservatory (Italy).
For the past five seasons, she has served as the Artistic Director for the ‘Bijou de la Vida Concert Series’ (North End Performing Arts Center) serving Little Italy and the North End community in Boston. She holds degrees from the University of Texas at Austin (DMA), New England Conservatory (MM) and the University of Victoria, Canada (BM).
She has had radio appearances on Deutschland Radio, WDR3 Kultur Radio, Bayerischer Rundfunk (BR Klassik, Munich), Radio Caracas (Venezuela), WORD Madison, WRUV Radio Vermont, and Norddeutscher Rundfunk (NDR), and can be heard on New World Records, MSR Classics, Roven Records (NAXOS), and ARS Produktion.